The last movie I saw was...

[jonhammstein]

Yeah... Yeah. They try to have it both ways, too. After all the Deadpools make their dramatic entrance, Deadpool Prime makes a speech about multiverses being played out and haven't we had enough of this already, etc. Yes, but you're still doing it. But because you're furiously winking and nodding at the audience, that's meant to bring it all back around to being entertaining again? Nope.

To be fair, it's all just setup for a prolonged murder montage that's actually pretty fun, if ultimately meaningless. Because what is Deadpool known for? Getting back up after being horribly mangled/mutilated.

[jonhammstein]

Huh. They liked it.

Also, it made like almost $450m this weekend. I guess the cow will continue to be milked into the foreseeable future.

¯\_(ツ)_/¯

[Rodent of Unusual Size]

I'll watch it for free later on. I'm not a big fan of Deadpool, but I find those flicks more entertaining than roughly 75% of everything else Marvel produces.

BTW, the Justice League: Crisis on Infinite Earths movies are utter trash. The resemblance between these and the source material is virtually non-existent, and it only exists to kill all the animated movie continuity from the last ten or so years.

[jonhammstein]

Watched this. Damn fine movie.

[Rodent of Unusual Size]

The first half of the animated Watchmen effort was actually enjoyable, although I could live without the herky-jerkiness of the animation. But it actually looks like the book, which counts for something. However, the live-action Watchmen was one of the few adaptations that actually improved on the book, so take it as you will.

[jonhammstein]

Beetlejuice Beetlejuice. Eh. It was okay. Way too many subplots. In fact, it was nothing but subplots, with no real main throughline. The "threat" spends the entire runtime searching for Beetlejuice, only to be vanquished almost immediately in the final act.

Almost as if the writers held a brainstorming session and didn't really land on any one great idea, so they just settled on throwing in all the middling ones.

I'm kind of baffled by the mostly positive reception it's getting. Maybe "good enough" is enough for some, but I certainly wouldn't call the movie good.

[B E C K]

Beetlejuice Beetlejuice. Eh. It was okay. Way too many subplots. In fact, it was nothing but subplots, with no real main throughline. The "threat" spends the entire runtime searching for Beetlejuice, only to be vanquished almost immediately in the final act.

Almost as if the writers held a brainstorming session and didn't really land on any one great idea, so they just settled on throwing in all the middling ones.

I'm kind of baffled by the mostly positive reception it's getting. Maybe "good enough" is enough for some, but I certainly wouldn't call the movie good.

Any cool visuals in it? Or a snazzy musical number?