I've started reading some of the short stories of Sherlock Holmes by Sir Doyle. Every time, I attempt to figure out whodunit, or at least WHY they're doing it, before the story reveals it, much in the same way I did successfully for "Sign of Four". I'm 4 for 5, with the only exception the Irene Adler story which isn't really a mystery, more of an adventure, so there's little to deduce there.
I just finished the audiobook of Lolita read by Jeremy Irons. And it was one hell of a book.
First off Jeremy Irons, while at times can be monotonous, does such a great infliction of a snooty British man.
Second off, I fully expected and worried about the novel being explicit, but thankfully any sex is alluded to in passing, or not even mentioned (but implied).
The book is written from the point of the pedophile Humbert Humbert (a pseudonym) writing to a jury to explain WHY he committed the crimes he did (rape, pedophilia, and murder). Humbert shows texbook predatory and grooming behavior, like hanging out on park benches and being touchy feeley towards girls. The entire book is written using lots of big words and tons of wordplay and allegory. In it, Humbert tries to victim blame. For instance, claiming that his interest in children is because he was unable to have sex with a girl he loved when he was a teen. Saying that "nymphets", the girls he's attracted to, are demons in disguise and blaming them for being attracted to them. Putting the blame of his acts with Lolita on her, saying "But she sexually experimented with a boy at camp so I wasn't her first" and "She came onto me and initiated sex the first time". He almost redeems himself at times where he admits that he destroyed her life, and sometimes seems remorse. But being the novel is from his point of view it's hard to determine if he's sincere or just fucking with you.
In the end I found it to be an enjoyable book. Sure you want to kick the crap out of Humbert for being such a dick, but thankfully there's no depictions of sex that would make the book unreadable, and Humbert's wordplay and snooty, sarcastic descriptions of post-war 1950s America are funny and brilliant.